#Korg polyphonic synth generator#

Each preset can also hold a step sequence and delay settings along with the sounds you create.Voice ModesSelectable voice modes let you freely configure the four voices for performance. For those who want to dive deeper into the heart and soul of minilogueвЂ™s engine, the minilogue can hold 200 programs with 100 editable factory programs included, and 100 locations serving as blank canvases on which to create your next analog masterpiece. No need to have deep synthesis knowledge just choose a sound and tweak- a workflow that is very familiar with musicians today. Select a program for instant access to great sounds-ranging from thick basses and deep pads, to brilliant polyphonic leads and atmospheric sounds. Powerful sound creation and rich variety are the true hallmarks of an analog synthesizer.Polyphony and Presets-Perfectminilogue goes beyond analog synths in its price range by adding 200 preset locations. The minilogue is also equipped with a variety of powerful types of modulation including cross modulation, oscillator sync, and ring modulator, as well as a delay with a high-pass filter. The minilogue's unique wave shape capability lets you fine-tune the oscillatorsвЂ™ harmonics, creating the most divine sounds and compositions. Whether you're performing live or producing in the studio, the minilogue is the fastest way for the user to explore and implement real analog synthesis in any situation.The structure consists of 2VCO, 1VCF, 2EG, 1VCA, and 1LFO. Unprecedented in this class, itвЂ™s a four-voice polyphonic true-analog synth with an interface that's designed for accessibility. True Analog SoundThe synth circuits for minilogue are all new ground up designs, delivering a synthesizer experience like no other. It's the next-generation analog synthesizer for musicians of all types.

All of these seamlessly integrated features make minilogue as fun and easy to use as it is powerful. Find inspiration it its sound with features including a polyphonic step and motion sequencer, on board tape-style delay, multiple sound shaping and filter options, and an oscilloscope display. ThereвЂ™s nothing to emulate, nothing to model after, just 100% pure analog synthesis that is fully programmable for a seemingly endless possibility of sound creation. The minilogue is not a refresh of an old-time favorite, but instead a completely original concept thatвЂ™s been elegantly designed from the ground-up for todayвЂ™s modern producer.

Folk & Traditional Wind & Keyboard InstrumentsДЇully programmable 4-voice analog synthesizer with 37 slim keys.

Folk & Traditional Stringed Instruments.

A less common reversed color keys model was released for a unique look as well. With a light-weight plastic case (only 10 lb.), a couple low-profile sliders/knobs and only 49 keys, the Poly-800 can run on batteries and has guitar strap pegs so it can be worn like a keytar. Unlike the Juno, which was still a вЂњstudioвЂќ instrument, the Poly-800 was built for the performer.

#Korg polyphonic synth generator#

There's also a stereo chorus effect, chord memory, a simple built-in sequencer, three digital envelope generators (for the oscillators, the noise generator and the filter), and a funky joystick used to adjust the pitch, modulation and the filter. The analog filter is a 24dB/oct low-pass which is shared by all voices (the Juno has separate filter chips for each voice). The Poly-800 is an eight-voice instrument (two more than the Juno series) with 64 memory patches (half of what the Juno-106 offered) and up to 50 editable parameters! Like the Juno, the Poly-800 had one DCO per voice, although it did feature a Double mode in which the oscillators could be stacked up for a fuller sound and only four voices of polyphony. The Poly-800 was comparable to the Juno-106, at the time, with respect to the fact that musicians now had access to affordable programmable polyphonic analog synthesizers (it listed for under $1,000) with memory storage, stable DCOs (digitally controlled oscillators) and a new state-of-the-art technology called MIDI (although there was no SysEx implementation yet). At a time when Roland was doing well with their Juno-series, KORG countered with a poly-synth of their own in 1983 with the Poly-800.